1971-March Rolling Stones The Lost Marquee Tapes (Vinyl Gang) 1971-March-26 Marquee Club - Wardour Street Soho, London, England 1971-March-14 Roundhouse - Chalk Farm London, England Disc 1 - 58.34 1 Live With Me 4.20 71-Mar-26 2 Dead Flowers 4.15 " 3 I Got The Blues (take 1) 4.38 " 4 I Got The Blues (false start) .36 " 5 I Got The Blues (take 2) 4.22 " 6 Let It Rock 2.36 " 7 Midnight Rambler 10.18 " 8 Satisfaction 5.06 " 9 Bitch .11 " 10 Bitch 4.17 " 11 Brown Sugar 3.57 " 12 Bitch 4.42 " 13 Bitch 4.57 " 14 Brown Sugar 4.12 " Disc 2 - 52.04 1 Jumpin' Jack Flash 4.03 71-Mar-14 2 Live With Me 4.40 " 3 Dead flowers 3.55 " 4 Stray Cat Blues 4.04 " 5 Love In Vain 7.14 " 6 Prodigal Son 3.16 " 7 Midnight Rambler 11.21 " 8 Bitch 4.21 " 9 Band Intro .41 " 10 Honky Tonk Women 3.47 " 11 Satisfaction 4.35 " The March-26 show is the ONLY time the Stones played I Got The Blues. If you ever have a chance to pick up the televised video of this show, I highly recommend it. I agree with John that the Marquee show is not a very inspired performance, though it is still highly desirable due to I Got The Blues! I also agree with him that the Roundhouse show is a MUCH better performance. It contains a superb performance of Dead Flowers. Taylor pretty much plays liquid lead throughout the second half of the song, drowning the vocals out towards the end. Taylor is such a great guitarist and it is good to hear him just play his liquid notes over everything. It was so good that I had to play it twice the first time I heard it. I really wonder if Jagger appreciated what a great guitarist Taylor was. The Marquee gig was their last show in 1971 and before they buried themselves in Keith's rented house in France, where they laid the basic tracks for the superb Exiles On Main Street. This may be the last time the Stones played Live With Me (Marquee show) and Prodigal Son (Leed's). I'll have to check my references on this though. I have to say, though, that the Marquee gig shows Jagger at a major crossroads (and hence the Stones themselves). I can just feel him beginning his metamorphosis into becoming a caricature of his former self, and the Stones suffer as a result. I feel that by the 1972 shows, this transformation was well underway and there were only glimpses of the 1968-1969 Jagger, which I feel was his peak period (as well as the Stones). Everything he does during this performance seems to be exaggerated and forced. Rather than using tone to convey the feeling or attitude in the lyrics, he has taken to just screaming them. As a result, nothing sounds convincing. Gone is the naturalness he had on the 1969 tour. He was trying to be cool rather than just being cool. Maybe when the Stones toured in 1969 they still felt they had something to prove, so they were more genuine. By 1971, Mick was already becoming part of the jet set and had nothing more to prove. This especially applies to the Marquee show. The other shows I have from this tour do not provide this glimpse of Jagger on the edge of change. Below review is courtesy of: John Mazcko The Lost Marquee Tapes is the best bootleg recording of the March 26th show available! Many other boots of this show are edited!! This is the complete show and along with Get Your Leeds Lungs Out Revisited, make up the best boots of the '71 British Farewell tour!! The second disc is the complete show from March 14th's second show at the Roadhouse in London, in excellent audience recording!! The Marquee show from the 26th of March '71 was recorded for a television special in England! Therefore they did a retake of I Got The Blues, Bitch, and Brown Sugar. This is an excellent show, but because of the retakes, it really doesn't have as much of a live feel compared to Leeds '71. Although it is definitely worth getting for the awesome version of I Got The Blues, a great harmonica fueled version of Midnight Rambler (I personally like the version on Leed '71 better, because it is more guitar driven!!), and Satisfaction, which actually sounds a lot different from the Leeds version and more like the '72 American tour version!! As far as performance goes, the Roadhouse show is much better than the Marquee show on disc one!! From the second disc, comes an excellent version of Love In Vain that is among my favorites, with some excellent guitar playing by Mick Taylor!! Prodigal Son is a very rare song for this tour!! There is great version with a very different opening that starts right out with driving guitar rhythm which then leads into the main riff!! During Honky Tonk Women, there is a crowd chant which is very rare for these early shows! And lastly is a highlight of '71 - Satisfaction!!